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How To Add Dust And Scratches In Photoshop?

How To Add Dust And Scratches In Photoshop
ADDINF DUST IN LIGHTROOM AND PHOTOSHOP – Now that everything’s set up, you can edit your photos in Lightroom as usual and when you feel like it’s time for that special vintage preset, right click on the image and select “Edit in” and click on Photoshop.

How do you make a scratch in Photoshop?

How to Get Realistic Scratches on Photoshop In the world of raster-imaging applications, Adobe Photoshop is almost unrivaled in its ability to produce nearly any two-dimensional visual effect imaginable. For example, a photograph of a landscape may be made to look like an oil painting or a photograph of a person like a cartoon.

Open Photoshop and load the image to which you want to add scratches. Click the “File” menu and select “Open”; then double-click the file in the file browser pop-up. Photoshop loads the image as the background layer of a new document. Select “Layers” from the Window menu to open the Layers panel. Click on the “New Layer” icon at the bottom of the Layers panel. It looks like a white square with the lower left corner folded up. Photoshop creates a new layer called “Layer 1” on top of the background image. Unless the default settings have been changed to automatically apply a fill color, the new layer is transparent, making it possible to see the background layer through it. Select the “Brush Tool” from the Tools window and right-click anywhere within the image. A contextual menu appears in which the size and hardness of the brush can be altered. Move the slider labeled “Size” all the way to the left so that the brush is one pixel in width and then move the slider labeled “Hardness” all the way to the right. Click on the color well in the Tools window and select white in the color picker pop-up. If the image to which you want to apply scratches is predominantly white, use a mid-range shade of gray instead. Draw your scratches. Realistic scratch patterns can be imitated effectively by rapidly raking the brush tool across the image. Experiment with different positions, lengths and raggedness levels until you achieve the effect you want. Open the “Filter” menu and select “Add Noise” from the Noise sub-menu. Photoshop’s noise filter interface appears. Increase the amount of noise by moving the slider labeled “Amount” to the right. The more noise you add, the more ragged and grainy the scratches will appear. A high amount of noise is mainly appropriate to scratches on a paper or fabric surface; a low amount of noise is more appropriate to a metallic, vinyl or plastic surface. Click “OK” to apply the noise effect. Once applied, the noise effect can be removed by selecting “Undo” from the Edit menu if you want to try a different setting. Open the drop-down menu in the upper left corner of the Layers panel. This menu contains a list of Photoshop’s blend modes, which are used to blend consecutive layers together in specific ways. Select “Overlay” or “Soft Light” from the blend mode menu. The Overlay option will make the scratches more pronounced and lighter-colored; the Soft Light option will blend the scratches into the background image more, causing them to take on some of the background image’s color while still remaining visible. The other “Light” blend modes — Hard Light and Vivid Light, for example — can also be used, but will likely produce a scratch effect that is too pronounced to be realistic. Open the “File” menu and select “Save As” to save the document at a PSD file for easy editing later.

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: How to Get Realistic Scratches on Photoshop

How do you make a photo look old and scratched?

Characteristics of the vintage look – While you have full control over this effect and can give it different meanings, the basic characteristics of the vintage look are the following:

Low color saturation – Color photography became available in the 1950s. Prints from that period tend to have faint colors, washed out by time. So the first step in making a photo look vintage is to reduce the saturation. If you want to recreate an even older style, you should begin by eliminating colors altogether and converting your image to black and white. Low contrast – Over time, prints lose contrast, structure, and details. Their edges become blurred and faded. To make a photo look vintage, you have to decrease the contrast while slightly increasing the brightness to create a haze effect. Noise – All old photos have a high level of noise due to bad cameras and lenses. You can use film grain noise or HSV noise to alter your image and simulate camera noise. Also, you can overlay a texture that imitates noise. Create your own texture or use one from the many free texture libraries available. Yellow tint – Photo paper and chemicals deteriorate over time and change their properties. The most common effect is a yellow tint that appears in black and white pictures. The easiest way to recreate this effect is to adjust the color balance by favoring yellow and red. You can also use other tools such as color temperature, curves, and the channel mixer. Vignetting – Vignetting occurs when the lens fails to focus well enough across the whole image and the edges of the photo remain underexposed. It’s sometimes used intentionally because it creates a natural frame and enhances the subject in the center of the photo. Most editors have predefined filters for vignetting. You can create a vignette by gradually darkening the edges of an image while keeping the subject brighter.

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What is scratch tool in Photoshop?

More About the Scratch Disk – As you may know, a scratch disk is a local storage drive that Photoshop uses when it’s running. This virtual hard disk uses your computer’s storage (HDD or SSD) to store files that can’t fit in or don’t need to be in your RAM.

How do you capture dust in photography?

What Do You Need? – What you may need really depends on what kind of dust photography you want to do. As a general statement, truly any camera will do, it’s the lens that can make a difference- you want a lens that has the option of manual mode and one that is either a standard type or a macro type.

Standard lenses are those that range in focal length from 35mm to 70mm. Standard lenses are amongst the easiest lenses to use because they feature no distortion, Standard lenses are the closest to the human eye and what you see. These lenses are excellent for more natural photographs of dust, such as in the sliver of light we spoke about above.

If you want to get even closer and more detailed, a macro lens may be more your fancy for dust photography. Macro is a unique type of photography in which small objects are photographed so close up that they are made to look life-sized or larger than they are in a photograph.

True Macro photography is done with dedicated macro lenses. For dust, you’d likely look at intermediate or long macro lenses, ranging in focal length from 90mm to 200mm. Macro lenses are great for dust photography in which you very specifically capture dust in a contained box. As for manual mode, you want a lens whose focus you can adjust by hand.

As the name implies, manual focus is when you lock on to a subject by hand. You find focus by turning the focus barrel ring until the subject is nice and clear in your viewfinder. Dust is so small that it can be hard for a camera to use its autofocus and find the subject. Now, if you’re doing lifestyle dust photography, then your gear list can end there. However, if you’re looking to capture dust and various patterns it creates in a more controlled environment, you’ll need a few extra pieces of gear. Firstly, you’ll need illumination.

Dust can only be seen with light hitting it a certain way. If a sunbeam shines through a window into an otherwise dark room, you can always see dust particles floating in the air. To mimic that, you can use a 300 watt halogen light which is about as bright as sunlight. Next, you’ll need a lot of contrast.

Best way to create this contrast is to either use an all-black studio or create an all-black little containment box. The black will create a good dark backdrop to bring all of the dust out in camera. Finally, you’ll need an object that happens to have a lot of dust on it.

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What apps add dust?

7. Retro Cam –

  • Straightforward
  • Nice light leak filters
  • Immediate preview
  • 3D effect

Retro Cam Verdict: Retrocam enables users to simulate analog photo effects of the ‘80s without any difficulties. Simply upload the shot to the app, pick a filter, add dust textures, scratches or light leaks, and you are good to go! The vintage filters of this grain app are thoroughly designed to achieve the true-to-life retro vibe and turn a regular shot into a more atmospheric and appealing one.

How do you add vintage textures in Photoshop?

2. Adjust the brightness and contrast. – Add another Image Adjustment Layer to your image and choose the Brightness/Contrast setting. Keep in mind that older images tend to have less contrast or look a little darker, so adjust the sliders until the image has your preferred level of contrast and brightness. Add another Image Adjustment Layer and select Photo Filter, This allows you to apply a vintage color wash, such as sepia, which gives the image a warm, reddish-brown look. You can also explore other color washes, like a cool blue or a moody green. Add noise to the image to give it an authentic vintage feel.

  1. Click Filter, and then choose Noise from the drop-down menu.
  2. Noise gives your photo a texture reminiscent of film grain.
  3. Make sure to select Monochrome in the Noise window, so it doesn’t add in color speckles.
  4. Click on your pixel layer, then go to Effects and select Inner Shadow from the drop-down list.

This adds a subtle shadow effect and makes your image appear less perfect and more similar to ripped or damaged vintage photos.

How do you dust an object?

When dusting a room or an object, always start at the top and work your way down so you won’t have dust resettle on a freshly cleaned area. Dust first, then vacuum a room to capture all that has fallen to the floor.

How do you add gritty effects in Photoshop?

2- Adding Noise – Go to Filter > Noise > Add Noise, make sure the distribution is set to Gaussian and check the Monochromatic option. Monochromatic will ensure that the grain doesn’t have any color to it, and the Gaussian distribution will randomize the way the grain is laid out, instead of being in a predictable pattern. Now just play around with the amount slider until you get something that looks good to your eyes. Adding some film grain And that’s all there is to it, simple enough! 👍