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Can You Open A Photoshop File In After Effects?

Can You Open A Photoshop File In After Effects
What is a PSD file? – PSD files are the native file format of Adobe Photoshop, You’ve probably seen files with the,psd extension format, especially if you’ve been an Adobe Photoshop user. Most commonly used by designers and artists, Photoshop Documents are powerful tools for image data storage and creation.

A PSD can store multiple layers, images and objects, often in high resolution, making it the industry-standard for creatives.

A PSD can support up to 30,000 pixels in height and width, giving these files an impressive range for both image depth and colour spread.

History of the PSD. Now considered to be the industry standard file type for digital image manipulation and editing, the PSD emerged with Adobe Photoshop. As the software’s native file format, PSDs allowed Photoshop creations to be saved in high-quality, editable documents.

How do I render Photoshop into After Effects?

Step 2: Import Your Graphics – 1. In After Effects, go to File > Import > File or simply hit Command+I, Can You Open A Photoshop File In After Effects 2. A dialogue window will appear where you can browse and find your PSD. Before you select OK, be sure to select Import As: Composition, as well as check the Photoshop Sequence box. The other two choices Footage and Composition – Retain Layer Sizes allow users to import a series of images that act as a single frame in a sequence, or that are imported at the same resolution and size as the image in Photoshop. Can You Open A Photoshop File In After Effects 3. An additional box will appear giving you options for importing the layers, simply leave this as is and click OK, Once you do this, it may take some time for your comp to be created based on how big the PSD file is. Can You Open A Photoshop File In After Effects

How do I import an animation from Photoshop to After Effects?

Import Frames into After Effects – Open After Effects and choose File>Import>File then go to your folder and choose the first image. Click the “Photoshop Sequence” and ” Force alphabetical order ” boxes before importing. Then import it as footage with merged layers.

  • Now that you have your animation file in After Effects make some quick changes by right clicking on the file and choosing Interpret Footage>Main
  • With this window open change the frame rate to 12 frames per second and loop the animation however long you need.

In this example we used a simple splatter, but this technique can be applied to simple character animation or title reveals as well. Experiment in Photoshop and After Effects to create your own unique animations. : Looping Frame Animations in Photoshop and After Effects

How do I save Photoshop in After Effects?

Artboards – Working with Artboards is very useful when you’re designing for multiple aspect ratios, or laying out a set of storyboards. Unfortunately, After Effects doesn’t really recognize artboards, so you’ll have to separate these out into individual filesafter you’ve properly named them and made reference exports, of course. With storyboards, it may be common to have multiple frames that are important for design approval, but may be essentially the same from an animator’s perspective—like the second and third frames above. Look for opportunities where you might be able to combine frames that use most of the same elements, just to save yourself a little bit of importing and setup later. Once you’re happy with everything, come up to File > Export > Artboards to Files, You’ll get a few options, and then Photoshop will save each of these out as its own layered PSD, ready to be imported to After Effects.

How do I import Adobe into After Effects?

Create a composition from clips in Adobe Premiere Pro – You can replace selected clips in Adobe Premiere Pro with a dynamically linked After Effects composition based on those clips. The new composition inherits the sequence settings from Adobe Premiere Pro.

  1. Open Premiere Pro and select the clips you want to replace.
  2. Right-click any of the selected clips.
  3. Select Replace With After Effects Composition, After Effects opens (if it is not already open) and a new linked composition is created.

Creating a new dynamically linked composition from Adobe Premiere Pro launches After Effects. After Effects then creates a project and composition with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. (If After Effects is already running, it creates a composition in the current project.) The new composition name is based on the Adobe Premiere Pro project name, followed by Linked Comp,

  1. In Adobe Premiere Pro, choose File > Adobe Dynamic Link > New After Effects Composition, In the 2014 version of Premiere Pro, you can import compositions using Media Browser. See the following sections in Premiere Pro for more information:
  2. If the After Effects Save As dialog box appears, enter a name and location for the After Effects project, and click Save. When you create a dynamically linked After Effects composition, the composition duration is set to 30 seconds. To change the duration, select the composition in After Effects, choose Composition > Composition Settings, Click the Basic tab, and specify a new value for Duration,

For best results, match composition settings (such as dimensions, pixel aspect ratio, and frame rate) to the settings in the Adobe Premiere Pro.

    • In Adobe Premiere Pro, choose File > Adobe Dynamic Link > Import After Effects Composition. Choose an After Effects project file (.aep), and then select one or more compositions.
    • In Adobe Premiere Pro, choose an After Effects project file and select Open, Then choose a composition in the displayed dialog box and select OK,
    • Drag one or more compositions from the After Effects Project panel to the Adobe Premiere Pro Project panel.
    • Drag an After Effects project file into the Premiere Pro Project panel. If the After Effects project file contains multiple compositions, the Import Composition dialog box opens.

You can link to a single After Effects composition multiple times in a single Adobe Premiere Pro project. Use the Edit Original command in Adobe Premiere Pro to modify a linked After Effects composition. Once the composition is open in After Effects, you can change the composition without having to use the Edit Original command again.

  1. Select the After Effects composition in Adobe Premiere Pro, or choose a linked clip in the Timeline, and choose Edit > Edit Original,
  2. Change the composition in After Effects. Then, switch back to Adobe Premiere Pro to view your changes.

The changes made in After Effects appear in Adobe Premiere Pro. Adobe Premiere Pro stops using any preview files rendered for the clip before the changes. You can change the name of the composition in After Effects after creating a dynamic link to it from Adobe Premiere Pro.

In Adobe Premiere Pro, select the linked composition or clip and press the Delete key.

Creating an Adobe Premiere Pro sequence from After Effects launches Adobe Premiere Pro. Adobe Premiere Pro then creates a project and sequence with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. (If Adobe Premiere Pro is already running, it creates a sequence in the current project.)

In After Effects, choose File > Adobe Dynamic Link > New Premiere Pro Sequence,

For best results, match sequence settings and project settings in Adobe Premiere Pro (such as dimensions, pixel aspect ratio, and frame rate) to those settings in the After Effects project. Do one of the following:

  • In After Effects, choose File > Adobe Dynamic Link > Import Premiere Pro Sequence, Choose an Adobe Premiere Pro project, and then choose one or more sequences.
  • Drag one or more sequences from the Adobe Premiere Pro Project panel to the After Effects Project panel.

A linked clip can refer to a complex source composition. Actions you perform on the source composition require additional processing time depending on the complexity. After Effects applies the actions and make the final data available to Adobe Premiere Pro using the global performance cache and the persistent disk cache features.

  • Take the linked composition offline
  • Disable a linked clip to temporarily stop referencing a composition
  • Replace the dynamically linked composition with the rendered file using the Render and Replace feature in Premiere Pro ( Clip > Render And Replace ).

If you commonly work with complex source compositions, increase your RAM or upgrade to a faster processor. To encode After Effects compositions, you must add the item to the encoding queue in Adobe Media Encoder, and then select encoding presets or create your own custom settings for rendering. In After Effects, you can add a composition to Media Encoder queue using one of the following options:

  • File > Export > Add to Media Encoder Queue
  • Composition > Add to Media Encoder Queue

When you add a composition or project to Adobe Media Encoder queue, After Effects launches Adobe Media Encoder with the compositions listed in the queue. The encoding process is explained in the following articles:

See also:  How To Cut A Selection In Photoshop?

: Use Dynamic Link with After Effects

Can you export animation from Photoshop?

Animate Photoshop PSD File in After Effects — Convert Still Graphics to Motion Graphics

February 22, 2018 Compiling Animation Frames to Video COMPILING ANIMATION FRAMES INTO A VIDEO (THROUGH THE USE OF PHOTOSHOP) For this workshop we created a seres of still animation frames in Processing and exported them to a “DATA” subfolder of the Processing sketch.

  1. At this point, there are several options for compiling the series of still images to a single video file format.
  2. Within the School of Architecture this includes Quicktime Pro or OpenShot (public domain software) on the Apple OS Platform.
  3. Windows options include the use of Adobe Premiere.
  4. However, due to stability and compatibility issues with the School’s network, the easiest pathway is to use Photoshop.

These notes provide the essential steps and refer to online documentation provided by Adobe for greater details. Note that for explorting video, some standard HD video aspect ratios and pixel dimensions are: 960 x 540 (HD540) 1280 x 720 (HD720) 1920 x 1080 (HD1080 At this time it’s recommended that you use either HD540 or HD720 due to performance issues with respect to higher resolution images in Processing.

Make sure that the image files are in one folder and are named sequentially. Do one of the following,

In the Open dialog box, navigate to the folder with image sequence files. Select one file, choose the Image Sequence option, and then click Open.

Specify the frame rate, and click OK.

Import video files and image sequences in Adobe Photoshop Export video files or image sequences :

Choose File > Export > Render Video. In the Render Video dialog box, enter a name for the video or image sequence. Click the Select Folder button, and navigate to the location for the exported files.

Save and export video and animations in Photoshop – Adobe Support During the export setup process, the “mp4” and the Quicktime “mov” file format options are likely to be most compatible with other technology we will be using in the course. In the “Render Video” export dialog box, for the “mov” file format, the following settings may be typical. Note especially that: 1. The video encoding “Format” is “Quicktime” 2. The “Preset” of “Animation High Quality” is used for best image quality and lower image compression.

Can you use Photoshop brushes in After Effects?

1 Correct answer. Sorry, but AE does not allow the use of custom brushes. You can, however roughen the edges of a carefully-masked solid, animating it as a track matte to reveal the charcoal Illustrator layer.

What format does your Photoshop File need to be to be imported into After Effects?

Supported file formats in After Effects

Beta releases Getting started Workspaces Projects and compositions Importing footage Text and Graphics Drawing, Painting, and Paths Layers, Markers, and Camera Animation, Keyframes, Motion Tracking, and Keying Transparency and Compositing Adjusting color Effects and Animation Presets Expressions and Automation Immersive video, VR, and 3D Views and Previews

Rendering and Exporting Working with other applications Collaboration:, and Team Projects Memory, storage, performance Knowledge Base

Here you’ll find a comprehensive list of media file formats supported in After Effects. This document lists the file formats which Adobe After Effects can import and export. You can add support for additional file formats to After Effects by installing a third-party plug-in. For a list of software developers that make plug-ins for After Effects, see, If you receive an error message or the video does not display correctly, you may need to install the codec used by the file. For more information about the codec in use, contact the manufacturer of the software or hardware used to create the file. Most file formats are rendered from After Effects by adding the composition to the render queue; see, Some formats are only available through the File > Export menu; see, The After Effects 15.1 release no longer supports legacy 32-bit QuickTime operations on macOS and Windows. For more information, see,

Audio format in a WAV container file
Advanced Audio Coding (AAC, M4A)
Audio Interchange File Format (AIF, AIFF)

Note: You can import files of any still image format as a sequence. See in After Effects help.

Format Import/Export support Format Details
Adobe Illustrator (AI, EPS, PS) Import only Continuously rasterized
Adobe PDF (PDF) Import only First page only, continuously rasterized.
Adobe Photoshop (PSD) Import and Export 8-, 16-, and 32-bpc
Bitmap (BMP, RLE, DIB) Import only
Camera raw (TIF, CRW, NEF, RAF, ORF, MRW, DCR, MOS, RAW, PEF, SRF, DNG, X3F, CR2, ERF) Import only
Cineon (CIN, DPX) Import and Export Converts to project’s color bit depth: 8-, 16-, or 32-bpc
CompuServe GIF (GIF) Import only
Discreet RLA/RPF (RLA, RPF) Import only 16-bpc, imports camera data
ElectricImage IMAGE (IMG, EI) Import only
Encapsulated PostScript (EPS) Import only
IFF (IFF, TDI) Import and Export
JPEG (JPG, JPE) Import and Export
HEIF Import only On supported operating systems, After Effects can import HEIF files (;,HEIF and,HEIC), such as those created by the camera apps on Apple iOS 11 or later. Minimum supported operating systems for HEIF file import: Note: HEIF Image and HEVC Image Extensions are not included with Windows 10 and must be installed separately.
Maya camera data (MA) Import only
OpenEXR (EXR) Import and Export 32-bpc 3D Channel effect plug-ins from fnord software are included with After Effects to provide access to multiple layers and channels of OpenEXR files. (See in After Effects help.
PCX (PCX) Import only Windows only
Portable Network Graphics (PNG) Import and Export 16-bpc
Radiance (HDR, RGBE, XYZE) Import and Export 32-bpc
SGI (SGI, BW, RGB) Import and Export 16-bpc
Softimage (PIC) Import only
Targa (TGA, VDA, ICB, VST) Import and Export
TIFF (TIF) Import and Export 8- and 16-bpc

Can you open PSD files in animate?

Import Photoshop PSD files – Photoshop format (PSD) is the default Photoshop file format. Animate can directly import PSD files and preserve many Photoshop features, retaining the image quality and editability of the PSD file in Animate. You can also flatten PSD files when importing them, creating a single bitmap image file that retains the image’s visual effects but removes the hierarchical layer information native to the PSD file format.

  1. Select File > Import To Stage or Import To Library.
  2. Navigate to the Adobe Photoshop PSD file to import, select it, and click OK.
  3. (Optional) In the PSD Import dialog box, select layers, groups, and individual objects and choose how to import each item.
  4. Select the various advanced import options and publish settings for the PSD file.
  5. In the Import screen, select the following options:
    • Select Photoshop layer comp : Lets you select the particular layer comp with which he wants to import the PSD file.
    • Import as bitmap image with editable layer styles : Creates a movie clip with a bitmap inside.Supported blend modes, filters, and opacity are maintained. Blend modes that cannot be reproduced in Animate are removed. The object must be converted to a movie clip.
    • Import as Flattened bitmap image: Rasterizes the text into a bitmap to preserve the exact appearance of the layer in Photoshop.
    • Create movie clip: Specifies that the image layers be converted to movie clips when imported into Animate. This option can be changed in the PSD Import dialog box on a layer by layer basis if you do not want all of the image layers to be converted to movie clips.
    • Instance name: Specifies the name of the imported instance.
    • Registration: Lets you set the registration point for your movie clip.
    • Compression: Lets you choose either lossy or lossless compression formats.
    • Lossy (JPEG): Compresses the image in JPEG format. To use the default compression quality specified for the imported image, select Use Publish Setting. To specify a new quality compression setting, select the Custom option and enter a value between 1 and 100 in the Quality text field. (A higher setting preserves greater image integrity but yields a larger file size.)
    • Lossless (PNG/GIF) : Compresses the image with lossless compression, in which no data is discarded from the image.
    • Quality:
      • Use Publish setting: To use the default compression quality specified for the imported image, select Use Publish Setting.
      • Custom: To specify a new quality compression setting, select the Custom option and enter a value between 1 and 100 in the Quality text field.
    • Calculate bitmap size: To calculate the size of all the bitmaps to be imported, select all the layers and click Calculate Bitmap Size.
    • Convert layers to:
      • Animate layers: All selected layers in the Select Photoshop layers list are placed on their own layer. Each layer is labeled with the name of the layer in the Photoshop file. The layers in Photoshop are objects on the individual layers. The objects also have the name of the layer in Photoshop when placed into the Library panel.
      • Single Animate layer: All the Photoshop layers are placed on a single Animate layer.
      • Keyframes: All selected layers in the Select Photoshop layers list are placed in individual keyframes on a new layer. The new layer is named for the Photoshop file (for example, myfile.psd). The layers in Photoshop become objects on the individual keyframes. The objects also have the name of the layer in Photoshop when placed into the Library panel.
    • Import as a single bitmap image: Compresses the object with multiple layers into a single bitmap image.
    • Place objects at original position: Retains the contents of the PSD file with the exact position they had in Photoshop. For example, if an object was positioned at X = 100 Y = 50 in Photoshop, it assumes the same coordinates on the Animate Stage. (not displayed in Import to Library option).
    • Set stage size to the same as Photoshop Canvas (546×513): The Animate Stage size resizes to the same size as the Photoshop document size (or active crop area) used to create the PSD file. This option is not selected by default. (not displayed in Import to Library option).

    Select Import to import the files, Cancel to cancel the process or Hide advanced options to display the basic options. PSD Basic Options: Library

  6. In the Basic options, select the options in Layer conversion, Text conversion and Convert Layers,
    • Select Photoshop layer comp: Allows you to select a particular layer comp with which you want to import the PSD file. If you change the Layer Comp in the Basic options, the tree layout in Advanced Options is updated based on the selected Layer Comp.
    • Maintain editable paths and effects: Creates an editable vector shape with a bitmap clipped inside the vector. Supported blend modes, filters, and opacity are maintained.
    • Single flattened image: Rasterizes the shape into a bitmap to preserve the exact appearance of the shape layer in Photoshop.
    • Editable text: Creates an editable text object from the text on the selected Photoshop layer. The appearance of the text might be compromised to maintain the edit ability of the text.
    • Vector outlines: Converts text to vector paths to preserve the visual appearance of the text.
    • Flattened bitmap image: Rasterizes the text into a bitmap to preserve the exact appearance of the text layer in Photoshop. Rasterized text is no longer editable.
    • Animate layers: Selected layers in the Select Photoshop layers list are placed on their own layer. Each layer is labeled with the name of the layer in the Photoshop file.
    • Single Animate layer: All the Photoshop layers are placed on a single Animate layer.
    • Keyframes: All selected layers in the Select Photoshop layers list are placed in individual keyframes on a new layer.Select Import to import the files, cancel to cancel the process or Show advanced options to display the advanced options.

Can you put a PDF in After Effects?

Going through PDF – When trying to move your designs from Figma to After Effects the first idea that comes to mind is to simply export your assets from Figma as PDF and then importing the PDF in After Effects. Let’s see how well that works 🤔 We’ve prepared a little dummy design file in Figma for a mobile app. Export Figma design as PDF In After Effects simply click “File” -> “Import” -> “File” and select your PDF file. Imported PDF file in Adobe After Effects As you can see the results are not very good, unfortunately no layers got imported. Your next thought might be, maybe I can import the PDF file in Illustrator and then import the Illustrator file in After Effects. Well hold my beer Results of PDF imported in After Effects That didn’t work out either. I guess that didn’t really work out did it

Can I Import JPEG into After Effects?

Importing photos and raw images into After Effects – ” – Let’s move on to importing some other types of assets. A common source are going to be photographic assets. Now depending upon how you capture these, they can be in a wealth of formats. Everything from compressed JPEGs that are well suited for posting to the web, to other formats that are raw or native to the camera.

Let me show you how to bring these in. And after effects you’ll simply use file import, or double click in the project area, and then navigate to the images you want to import. Let’s start by bringing in a JPEG file to start. This comes in as a simple file and you could choose to create a composition directly, or bring it in.

If you have multiple JPEGs with consecutive numbers, be careful with the sequence option. This is designed for animation frames or time lapse sequences, and we’ll try to assemble them into a movie. So if you’re importing and getting really short video clips it’s because you’ve got that

How to convert a Photoshop layer to a text layer in After Effects?

(Bonus) Step 4: Convert Text – If you want to convert text from a PSD into editable text in After Effects, simply select your text (it should have a PSD logo next to it in your composition), right click, and select Convert to Editable Text, Your PSD text should now be a text layer in After Effects. Want to learn more about working with PSDs in After Effects? Check out a few of the following links:

Looping Frame Animations in Photoshop and After Effects Exporting Video from Photoshop Light Painting in After Effects and Photoshop

Have any tips for converting PSDs in After Effects? Share thoughts below.

Can you paste an image into After Effects?

Preparing and importing Photoshop files – In After Effects CS6 and later, video layers in Photoshop,psd documents are not supported. Because After Effects includes the Photoshop rendering engine, After Effects imports all attributes of Photoshop files, including position, blending modes, opacity, visibility, transparency (alpha channel), layer masks, layer groups (imported as nested compositions), adjustment layers, layer styles, layer clipping paths, vector masks, image guides, and clipping groups.

  • Organize and name layers. If you change a layer name in a Photoshop file after you have imported it into After Effects, After Effects retains the link to the original layer. However, if you delete a layer, After Effects is unable to find the original layer and lists it as Missing in the Project panel.
  • Make sure that each layer has a unique name. This is not a requirement of the software, but helps to keep you from becoming confused.
  • If you think that you might add layers to the Photoshop file in Photoshop after you have imported it into After Effects, go ahead and add a small number of placeholder layers before you import the file into After Effects. When you refresh the file in After Effects, it will not pick up any layers that have been added since the file was imported.
  • Unlock layers in Photoshop before importing into After Effects. This is not necessary for most kinds of layers, but it is required for some kinds of layers. For example, background layers that must be converted to RGB may not be imported correctly if they are locked.

A convenient command within After Effects is Layer > New > Adobe Photoshop File, which adds a layer to a composition and then opens the source of that layer in Photoshop for you to begin creating a visual element, such as a background layer for your movie. The layer in Photoshop is created with the correct settings for your After Effects composition. As with many of the Creative Suite applications, you can use the Edit Original command in After Effects to open a PSD file in Photoshop, make and save changes, and have those changes appear immediately in the movie that refers to the PSD source file. Even if you don’t use Edit Original, you can use the Reload Footage command to have After Effects refresh its layers to use the current version of the PSD file. (See Create a layer and new Photoshop footage item and Edit footage in its original application,) One good way to prevent interlace flicker from thin horizontal lines in still images is to run the Interlace Flicker Removal action in Photoshop before you bring the still images into After Effects. Photoshop includes several video actions for utility purposes such as this. Layered Photoshop (PSD) files need to be saved in RGB or Grayscale color mode for After Effects to import them as a composition and to separate the layers. CMYK, LAB, Duotone, Monotone, and Tritone color modes are not supported for layered files; After Effects will import a file that uses one of these color modes as a single, flattened image. (Regarding the other color modes available in Photoshop such as Bitmap and Indexed: Photoshop does not support layers in these color modes.) To determine or change the color mode of a document in Photoshop, choose Image > Mode. (The color mode is also displayed in the title bar of the document window.) Adobe Photoshop supports a transparent area and one optional layer mask (alpha channel) for each layer in a file. You can use these layer masks to specify how different areas within a layer are hidden or revealed. If you import one layer, After Effects combines the layer mask (if present) with the transparent area and imports the layer mask as a straight alpha channel. If you import a layered Photoshop file as a merged file, After Effects merges the transparent areas and layer masks of all the layers into one alpha channel that is premultiplied with white. When you import a Photoshop file as a composition, vector masks are converted to After Effects masks. You can then modify and animate these masks within After Effects. Photoshop clipping groups, layer groups, and Smart Objects If the layered Photoshop file contains clipping groups, After Effects imports each clipping group as a precomposition nested within the main composition. After Effects automatically applies the Preserve Underlying Transparency option to each layer in the clipping-group composition, maintaining transparency settings. These nested precompositions have the same dimensions as the main composition. Photoshop layer groups are imported as individual compositions. It is often valuable to group layers into Smart Objects in Photoshop so that you can import meaningful collections of Photoshop layers as individual layers in After Effects. For example, if you used 20 layers to create your foreground object and 30 layers to create your background object in Photoshop, you probably don’t need to import all of those individual layers into After Effects if all that you want to do is animate your foreground object flying in front of your background object; consider grouping them into a single foreground Smart Object and a single background Smart Object before importing the PSD file into After Effects. Photoshop layer styles and blending modes After Effects also supports blending modes and layer styles applied to the file. When you import a Photoshop file with layer styles, you can choose the Editable Layer Styles option or the Merge Layer Styles Into Footage option: Editable Layer Styles Matches appearance in Photoshop and preserves supported layer style properties as editable. A layer with a layer style interferes with intersection of 3D layers and the casting of shadows. Merge Layer Styles Into Footage Layer styles are merged into the layer for faster rendering, but the appearance may not match the appearance of the image in Photoshop. This option doesn’t interfere with intersection of 3D layers or casting of shadows.

Can you copy and paste into After Effects?

View or edit a keyframe value – Before you change a keyframe, make sure that the current-time indicator is positioned at an existing keyframe. If you change a property value when the current-time indicator is not at an existing keyframe, After Effects adds a new keyframe.

  • Move the current-time indicator to the time of the keyframe. The value of the property appears next to the property name, where you can edit it.
  • Right-click (Windows) or Control-click (Mac OS) the keyframe. The keyframe value appears at the top of the context menu that appears. Choose Edit Value to edit the value, if desired.
  • Place the pointer over a keyframe in layer bar mode to see the time and value of the keyframe.
  • Place the pointer over a keyframe in Graph Editor mode to see the layer name, property name, time, and value of the keyframe. Place the pointer over a segment between keyframes to see the corresponding information at any time.
  • Click a keyframe in layer bar mode to show the keyframe’s time and interpolation method in the Info panel.
  • Click a keyframe or segment between keyframes in Graph Editor mode to show a property’s minimum and maximum values and the speed at the current time in the Info panel.
  • Alt-click (Windows) or Option-click (Mac OS) two keyframes in layer bar mode to display the duration between them in the Info panel.

Jeff Almasol provides a script on his that creates new layer markers (either on the selected layer or on a new null layer) with comments that provide information about keyframes at the same times. You can copy keyframes from only one layer at a time. When you paste keyframes into another layer, they appear in the corresponding property in the destination layer.

The earliest keyframe appears at the current time, and the other keyframes follow in relative order. The keyframes remain selected after pasting, so you can immediately move them in the destination layer. You can copy keyframes between layers for the same property (such as Position) or between different properties that use the same type of data (such as between Position and Anchor Point).

When copying and pasting between the same properties, you can copy from more than one property to more than one property at a time. However, when copying and pasting to different properties, you can copy only from one property to one property at a time.

  1. In the Timeline panel, display the layer property containing the keyframes you want to copy.
  2. Select one or more keyframes.
  3. In the Timeline panel containing the destination layer, move the current-time indicator to the point in time where you want the keyframes to appear.
    • To paste to the same property of the copied keyframes, select the destination layer.
    • To paste to a different property, select the destination property.

Can you render with Photoshop?

How to Render Images in Photoshop Rendering, or cutting out, images with Photoshop lets you create many kinds of visual effects, from the whimsical to the practical. You can make a person appear within a setting she was never actually in. Or, make it look like you’ve photographed multiple copies of a product that you’re advertising even though you only photographed a single copy.

Load into Photoshop a picture that has an image you’d like to render. For example, load a photo of a person whose background you’d like to remove. Click the Tools palette icon shaped like a lasso to run the Lasso tool. Move the mouse to a point just outside the outline of the image you want to render. Press and hold the left mouse button, then drag around the image. Stay close to the image’s outline, but don’t try to be exact – that’s the job of Refine Mask. The important thing is not to stray into the image itself. Release the mouse when you’ve traced completely around the image, then click the Layer panel button shaped like a circle within a rectangle. This runs the “Add Layer Mask” tool, which creates a mask that hides the image’s background. The mask appears as a black and white thumbnail on the right of the currently selected layer in the Layers panel. Right-click the mask thumbnail and then click “Refine” to open the “Refine Mask” dialog box. Drag the “Radius” slider slowly to the right, observing closely the image as you do so. When the background pixels, which now appear in red, begin to intrude onto the image, drag “Radius” back to the left slightly. There may still be a gap between the red background and the image. Drag the mouse, which is loaded by default with the Refine Radius brush, over a portion of a gap between the image and its background. Photoshop will remove the gap so the red background fits snugly to the image. Use the Refine Radius brush to remove any gaps remaining between the image and its background and then click “OK” to close the Refine Mask dialog. The image appears surrounded by white because the white of the default “Background” layer is showing through the cutout background of the rendered image. Click the “Background” layer’s eye icon in the Layers panel to make the background transparent. Photoshop indicates transparency with a checkerboard pattern that’s colored white and gray. Use the “File” menu’s “Save As” command to save the image as type PNG, which preserves the transparency of the rendered image.

: How to Render Images in Photoshop